A child escapes from Poland during World War II and first heads to Greece before coming of age in Canada.

An unspoken incident unravels the lives of two families into nightmare, fracturing time and memory.

Richard Kimble is falsely convicted of his wife's murder and given the death penalty. En route to death row, Kimble's train derails and crashes, allowing him to escape and begin a cross-country search for the real killer, a "one-armed man". At the same time, Dr. Kimble is hounded by the authorities, most notably dogged by Police Lieutenant Philip Gerard.

'Roadside Fugitive' follows Mighty's non-successful story after '8,000 Miles 1,' at the end of which he parts company with Ikku and Tom, members of his hip hop group, 'Sho-Gung,' and leaves for Tokyo. Will Mighty be able to keep faith in the tiny little soul burning somewhere inside him?

The Fugitive is a remake of the 1963 TV series of the same name that aired for one season on CBS between October 6, 2000 and May 25, 2001. It stars Tim Daly as Dr. Richard Kimble, Mykelti Williamson as lieutenant Philip Gerard, and Stephen Lang as Ben Charnquist.

Set in present day Brooklyn, this film is a remake of the 1953 classic, "Little Fugitive." With his father in jail and his mother working long hours at a nursing home, Lenny, age 11, is burdened with the responsibility of looking after his younger brother, Joey, age 7. Lenny plays a practical joke on his little brother. When the joke goes too far, Joey runs away to Coney Island.

Set in present day Brooklyn, this film is a remake of the 1953 classic, "Little Fugitive." With his father in jail and his mother working long hours at a nursing home, Lenny, age 11, is burdened with the responsibility of looking after his younger brother, Joey, age 7. Lenny plays a practical joke on his little brother. When the joke goes too far, Joey runs away to Coney Island.

An alien is pursued as a traitor by his own race because he refuses to kill humans.

Tara McCormick is sent to prison for the attempted murder of a local drug lord named Tommy Stompanato. Inside, she befriends Josie and is approached by a government agent to finish the job she started in exchange for her freedom.

Algerian director Hamid Benamra turns his focus to Mustapha Boutadjine, a charming, mercurial collage artist in Paris whose very work methods embody resistance, and celebrate those who work to liberate others. Boutadjine creates his portraits of Third World artists such as Miriam Makeba, and Algerian figures such as Assia Djebar from pieces of paper torn from high end fashion magazines and other, glossy, glitzy publications. Using this material is as much an act of rejecting bourgeois standards, which are often anti-North African in France, as much as elevating these figures and making them the social and visual standard against which we should judge ourselves, not the runway models of Chanel.